The historical construction of Peru and the Peruvian from the cyberspace: notes to rethink the teaching of national identity from the school
DOI:
https://doi.org/10.37431/conectividad.v4i1.41Keywords:
Cyberspace, Peruvian history, National identity, NationAbstract
Cyberspace configures a place of anonymity and, therefore, a space where that "naturalized" history, which could not be present when the issuer takes flesh and name or when he is in front of the scrutiny of the public opinion, also present with a body and a name, is casually summoned. The present work will give an account of the world of YouTube, a website that allows users to share digital videos through the Internet. These videos can in turn be commented, discussed and reviewed by those who visit this virtual platform. Although the topics are diverse, several positive trends have been shown in the videos and lists of comments where users pour their impressions on them. The study shows that the history of Peru, from cyberspace, ceases to be a matter of "versions" or different narratives about the same facts; that is, of epics constructed by elites with a national project under their arms; to become "nature", an atmospheric description of the world, such as natural history or cosmogony for those who profess a particular religious belief.
References
Benjamín, W. (1999). Para una crítica de la violencia y otros ensayos. Iluminaciones IV. Madrid: Taurus.
Chatterjee, P. (2007). La nación en tiempos heterogéneos y otros estudios subalternos. Lima: IEP, CLACSO, SEPHIS.
Correa, N. (2006). Asháninka Online: ¿nuevas tecnologías, nuevas identidades, nuevos liderazgos? Una aproximación antropológica a la relación de la Comunidad Indígena Marankiari Bajo con las tecnologías de la información y de la comunicación. Lima: Facultad de Ciencias Sociales, PUCP.
Cortés, G. (2008). Tan cerca y tan lejos: los vaivenes de las políticas culturales. En: V. Vich, y G. Cortés (Eds.) Políticas culturales. Lima: IEP, INC.
Klinger, B. (2006). Beyond the multiplex. Cinema, New Technologies, and the Home. California: University of California Press.
https://doi.org/10.1525/9780520939073
Lacarrieu, M. y Álvarez, M. (2008). La (indi)gestión cultural. Una cartografía de los procesos culturales contemporáneos. Buenos Aires: La Crujía.
Laclau, E. (2005). La razón populista. México D.F.: Fondo de Cultura Económica. McKenzie, J. (2001). Perform or else: From discipline to performance. London: Routledge.
Protzel, J. (2009). Espacio privado y espacio público en su deriva tecnológica. Notas sobre la construcción histórica de la subjetividad. Contratexto, 17. https://doi.org/10.26439/contratexto2009.n017.797
Schechner, R. (2002). Performance Studies: an introduction. New York: Routledge.
Yúdice, G. (2007). Nuevas tecnologías, música y experiencia. Barcelona: Gedisa.
Published
How to Cite
Issue
Section
License
Copyright (c) 2023 Instituto Superior Tecnológico Universitario Rumiñahui

This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.
The originals published in the electronic edition under the first publication rights of the journal belong to the Instituto Superior Tecnológico Universitario Rumiñahui; therefore, it is necessary to cite the source in any partial or total reproduction. All the contents of the electronic journal are distributed under a Creative Commons Attribution-Noncommercial 4.0 International (CC-BY-NC 4.0) license.